Buildings and Facades to Be Retained in UIC's Maxwell Street Plan

The addresses and use designations (in parens) for the following buildings were provided to the Maxwell Street Historic Preservation Coalition by UIC during the week of July 10, 2000. The other information on this page (i..e., the building descriptions) is taken from the Coalition's National Register nomination application.

Errors in the original list were corrected February 6, 2001. There are eight buildings slated for adaptive reuse, three for retention of facades in their original location and ten for relocation. (Click on the links to jump directly to that section of the list.)

Construction dates were compiled from the Recorder of Deeds office for Cook County, the records from the Commission on Chicago Landmarks, and the Phase I Archaeological and Historical Evaluation of the Maxwell Street Area, a study funded by UIC. The paragraphs describing the buildings are excerpted from the Phase I Archaeological and Historical Evaluation of the Maxwell Street Area (1994), with relevant updates noted.


1.  1251-1253 S. HALSTED (Adaptive Reuse)

BUILT: 1904; Remodeled storefronts, 1251 - 1950s, 1253 - early 1940s
TYPE: 3-story commercial
MATERIALS: brick and limestone with metal cornice, porcelain enamel, terrazzo
STYLE: Classical Revival
ARCHITECT: Henry L. Ottenheimer
FORMER USE: "Colby's"?store name embedded in terrazzo entranceway
CURRENT USE: Kids' Outlet, Lucky's Mod Clothing

PHOTO NO.: 15, 16, 41

SIGNIFICANCE: large scale reflects commercial growth within district

          This three story brick Neo-Classical style building was designed by Henry L. Ottenheimer for the Ostrowsky
          Brothers in 1904. The light brick building has a flat roof with a shallow parapet. Its primary facade is long, with six
          single square windows on both the second and third stories. The windows are divided by a series of seven
          pilasters that extend from a limestone belt course beneath the second story windows and a several project bands
          of brick courses above the third story windows. The pilasters have limestone bases and limestone ionic columns.
          Symmetrically placed at the center of the facade is the doorway leading to the stairway to the residential levels of
          the building, with an arched transom window. Most of the architectural details of this entryway have been
          covered. The building's existing storefront at 1253 S. Halsted was added in the early 1940s. It has a deeply
          recessed vestibule and straight windows which were thought to provide better visual access than the earlier
          zig-zag and other geometric configurations of display windows. The windows curve at the threshold of the
          vestibule. Flush beneath the windows are porcelain enamel bulkheads. The storefront at 1251 S. Halsted dates to
          the mid-to-late 1950s. It has an Open Face Front with straight planes that gently angle from the doorway. The
          display windows have narrow recessed porcelain enamel bulkheads. Both vestibules have terrazzo floors, and
          1253 S. Halsted has the name Colby's in the terrazzo. Although recent signage overpowers the buildings sign
          frieze, the building has good integrity. It would likely be deemed as a contributing feature to a potential historic
          district.

2.  1257-1259 S. HALSTED (Adaptive Reuse)

BUILT: 1883; with modern siding
TYPE: 3-story commercial
MATERIALS: brick with modern metal siding, Joliet limestone, terrazzo
ARCHITECT: unknown
FORMER USE: Howard's Style Shop; "Howard's"?store name embedded in terrazzo entranceway, Red Fashion
CURRENT USE: storage

PHOTO NO.: 16, 41

SIGNIFICANCE: portion of siding removed reveals historic facade intact

This three story brick building with a flat roof was constructed as apartments by Emil Shryer in 1883. It is a vernacular Italianate style building with Joliet limestone belt courses and lintels with carved rosettes and curly incised ornamentation. By the early 1940s, the building had a retail space in the first story. During this period the storefront was updated to and Open Face Front with a symmetrically placed doorway flanked by straight display windows that curve at the threshold of the vestibule. The vestibule floor and bulkheads are composed of terrazzo, and the flooring has the name Howard's and three simple vertical lines extending towards the door. The second and third stories of the front facade are covered with vertical metal siding. Some removed siding at the third story reveals historic fabric beneath the sheathing. This building relates to the area's social history as it represents the conversion of residential first story spaces to commercial use. As there is evidence that the historic facade is in-tact, it is likely that this building would be deemed as a contributing feature to a potential historic district. 3.  1301-1303 S. HALSTED/729-741 W. 13TH STREET (Adaptive Reuse)

BUILT: 1927; Remodeled storefronts, 1940s
TYPE: 3-story commercial
MATERIALS: yellow brick and Bedford limestone
ARCHITECT: Oldfest & Williams
FORMER USE: F. W. Woolworth Company, DeKoven's Drug Store, "Lanes"?store name embedded in terrazzo
entranceway, movie theater, Loyal Drugs, T Q Express
CURRENT USE: vacant

PHOTO NO.: 20, 47

SIGNIFICANCE: building scale and business type reflect the commercial growth within the district

          This three story brick building was designed by Oldfest and Williams for the F.W. Woolworth Company in 1927.
          Oldfest and Williams were commissioned for a number of Chicago commercial and apartment buildings in the
          1920s including the 1211 N. LaSalle Blvd. Building, which now has a Richard Haas mural (Sinkevitch 1993,
          167). A $100,000 construction project, the Woolworth's was one of the area's most expensive buildings. The
          building has a flat roof, and has primary facades on both S. Halsted and W. 13th streets. It is composed of yellow
          brick and Bedford limestone details, however, most of the details are on the S. Halsted St. facade, and the first
          bay of the W. 13th St. facade extending from the S. Halsted St. corner. These details include a band course
          extending between the sign frieze and the sills of the second story windows, and a narrow limestone cornice. At
          the second story, flanking the double windows on the S. Halsted St. facade, and one set of triple windows on the
          W. 13th St. facade are square limestone details. Within each square ornament is a concave round plate serving as
          the background for a center applied carved rosette.

          Several remnants of the original Woolworth’s store still exist. Ornamental columns and capitals and a coffered
          ceiling from Woolworths are in the interior of 1301 S. Halsted St. Details of the original Woolworths storefront
          include pink granite dados which have limestone piers extending to the sign frieze. The storefront was converted
          into two separate storefronts in the early-to-mid 1940s, when Woolworths probably sold the building. Both of the
          existing storefronts are the Open Faced Front style, with simple straight display window cases within a recessed
          vestibule. The 1301 S. Halsted St. windows are on porcelain enamel bulkheads, and the floor is terrazzo and has
          the DeKoven Drug name. The 1303 S. Halsted St. storefront has porcelain enamel bulkheads and casings around
          structural piers. It also has terrazzo flooring, with the Lane's store name. As the building has good integrity and
          reflects the trend of chain stores opening in the area, including national chains in the 1920s, it would be deemed as
          a contributing feature to a potential historic district.

4.  1305-1309 S. HALSTED (Adaptive Reuse)

BUILT: 1907; covered with modern siding
TYPE: 3-story commercial
MATERIALS: brick covered with siding, terrazzo
ARCHITECT: Alexander Levy
FORMER USE: "Goldenberg Furniture Co."?store name embedded in terrazzo entranceway, Young Discount
CURRENT USE: vacant

PHOTO NO.: 20, 47

SIGNIFICANCE: original facade likely preserved beneath metal siding

          This three story brick building was designed by Alexander L. Levy and constructed in 1907. Its owner, I. Epstein
          was listed as residing at what is now 1226-28 S. Halsted St. and he may have owned that building during the
          period as well. Built as store and flats, the building has a flat roof, and its S. Halsted St. facade is now covered in
          metal siding. The 1307 S. Halsted St. store has a tile vestibule floor that has the Goldenberg Furniture store name
          and may be original. As it is quite possible that the original facade may be intact beneath the siding, this building
          would likely be deemed as a contributing feature to a potential historic district.

Note: CHS photographs illustrate intact facade prior to metal siding (copies not appended)

Streets/Maxwell, 1950-59, Folder 5, by M. Mead, 1955

Streets/Halsted, 1000-1600 S., by S. Osty, 1974

5.  1325-1333 S. HALSTED/739-743 W. MAXWELL (Adaptive Reuse)

BUILT: 1899; Remodelled storefronts, 1325 - 1925, 1329 - 1934, 1333 - 1950s
TYPE: 2-story commercial
MATERIALS: brick, limestone details with metal trim
ARCHITECT: Theodore Duesing
FORMER USE: Mr. Leonard's Clothing, Morris', Kapko's Shoes
CURRENT USE: vacant

PHOTO NO.: 25, 27, 29, 30, 49

SUPPLEMENT D: E, H, I, J

SIGNIFICANCE: multiple storefront design on both Maxwell and Halsted Streets

This two story building was designed by Theodore Duesing as a department store for owner F. Zuttermeister in 1899. Located on the southeast corner of S. Halsted St. and W. Maxwell, the building has a flat roof and two primary facades. It could be characterized as a "Two Part Commercial Block" structure (Longstreth 1987, 24). Its second story windows are divided into groups of two by vertical projecting brick panels that extend from a limestone belt course above the sign frieze to the cornice line. A second limestone belt course extends across the sills and across the brick panels. Beneath this projecting limestone belt course is a band of egg and dart molding, and a band of dentils. The lower portion of the brick panels extend down beneath the belt course to double curved limestone modillions that rest on the other limestone belt course running above the sign frieze Applied to this lower belt course is metal trim that was added in 1925, when the storefronts were also updated. The metal band has pressed foliage applied to it. There is also ornamental metalwork around some of the W. Maxwell St. storefront windows. The 1329 S. Halsted St. storefront was updated in 1934, and it retains its ceramic tile vestibule floor and wooden double door. The storefront at 1333 S. Halsted was updated in the 1950s and has angular display window cases and a ceramic tile floor. As this building was a department store, it relates to the area's social history. The building conveys its historic form, character and details, it would likely be deemed as a contributing feature to a historic district. 6.  1335-1337 S. HALSTED (Adaptive Reuse)

BUILT: 1926; Remodeled storefront, 1938
TYPE: 2-story commercial
MATERIALS: brick with limestone details, porcelain enamel, terrazzo; "Kresge" in facade ornament
ARCHITECT: unknown
FORMER USE: S. S. Kresge Company, SK Mart, Peddler Sport Big Barn
CURRENT USE: vacant

PHOTO NO.: 25, 26, 27, 28, 29, 30, 35, 37

SUPPLEMENT D: I, J, K

SIGNIFICANCE: business type reflects commercial growth within district; interior layout is well-preserved as original store
and store offices

          This two story brick building was constructed by the S. S. Kresge Company as a store and offices in 1926. A
          Classical Revival style building with a flat roof, it is composed of warm brown brick and limestone details. The
          primary facade has five rectangular windows divided by six applied limestone vertical panels that extend from a
          belt course at sill level to a limestone frieze beneath the cornice. This flat limestone frieze is plain except for the
          Kresge name, which is incised above the center window. Applied to this frieze are square caps extending from the
          limestone panels. The square caps over the four center vertical panels have concave carved circles. Above and
          applied to the frieze is a shallow moulded cornice. On the brick parapet, above the cornice are six rectangular
          applied limestone elements, placed directly above the limestone vertical panels and square caps. Similar to the
          caps, the two outer rectangular limestone elements are unadorned. Each of the four center rectangular panel
          elements serve as frames to carved classical urns in bas relief. The parapet wall is flat. Both of the building's two
          storefronts were updated in 1938. Both are identical and intact, however, the 1335 S. Halsted still retains its
          double wooden doors while 1337 S. Halsted does not. These are Arcaded store fronts with deeply recessed
          vestibules and display windows that have a geometric zig-zag configuration. They both have porcelain enamel
          bulkheads and terrazzo flooring with three stripes leading to the store's doorway. As the building has good
          integrity and reflects the trend of chain stores opening in the area, including national chains in the 1920s, it would
          be deemed as a contributing feature to a potential historic district.

7.  1339-1341 S. HALSTED/732-734 W. LIBERTY (Adaptive Reuse)

BUILT: 1908; Remodeled storefront, 1938
TYPE: 3-story commercial
MATERIALS: limestone, with brick sides and rear
ARCHITECT: Maurice Spitzer
FORMER USE: retail/residential, Universal Life Church
CURRENT USE: Maxwell Market Food Stand, upper story residences

PHOTO NO.: 25, 26, 29, 30. 35

SUPPLEMENT D: J, K

SIGNIFICANCE: extant mixed-use type on Halsted Street

          This three story brick building was designed by Maurice Spitzer and constructed in 1908. The owner, A.
          Warsawsky was the mason for the construction. The building, which has a flat roof, is located on the northeast
          corner of S. Halsted St. and W. Liberty St. Its S. Halsted Street facade and one bay of the W. Liberty St. facade
          are clad with limestone. The building is classically inspired. A set of long vertical pilasters flank the window
          groupings of the S. Halsted St. facade and the one bay of double windows on the W. Liberty St. facade that is
          clad with limestone. The rectangular pilasters extend from a band course at sill level to the cornice line. Beneath
          the pilasters are ornately carved modillions. The pilasters have plain capitals and bases. The limestone facades
          have rounded arched windows on the third story. The windows have limestone crowns with keystones resting on
          rectangular limestone pilasters that frame the windows. The pilasters have square bases resting on the entablature
          above the second story windows. This entablature includes a narrow moulded cornice, with soffits of
          egg-and-dart moulding. Beneath this is a plain frieze and architrave over the second story windows. The original
          architectural treatment to the buildings parapet has been altered. There is now infill light brick at the upper level of
          the facade. There is little evidence of the historic storefront. In spite of these changes, the building conveys its
          historic form, character and most of its details, and it would likely be deemed as a contributing feature to a
          potential historic district.

8.  733-737 W. MAXWELL (Adaptive Reuse)

BUILT: 1920; Remodeled storefront, 1940s
TYPE: 2-story commercial
MATERIALS: white glazed terra cotta with ornamentation
ARCHITECT: Merritt J. Morehouse
FORMER USE: Gabel's Clothing Store, Allen's Clothing Store, R&G Fashion Shoes, Rand Discount, Johnny Dollar, City
Cloak Clothes
CURRENT USE: vacant

PHOTO NO.: 42, 45, 46, 49

SUPPLEMENT C: F

SUPPLEMENT D: C, E, H, J, K

SIGNIFICANCE: type reflects commercial growth on Maxwell Street in the 1920s

          This two story brick commercial building was designed by Merritt J. Morehouse and constructed for L. Klein in
          1920. Morehouse, who had practiced architecture in Chicago since 1895 was trained at the University of Illinois
          and in Paris. The attractive primary facade that he created for this building is suggestive of Art Deco, though the
          style did not fully emerge in Chicago until several years later. The facade is clad with cream colored terra cotta
          square tiles. It has a flat roof, and a flared terra cotta band serves as a simple frieze, flush with the roof line. There
          are four Chinese inspired applied terra cotta ornaments symmetrically placed on the frieze. At the soffit of this
          frieze, there is a course of simple of small terra cotta tiles that create a dentil-like band. Above the lintels of the
          second story windows, there is and applied moulded band of the same terra cotta tile panels that are used
          throughout the facade. These tiles are also used on applied terra cotta pilasters that divide the three second story
          windows, and are beneath the applied moulded band. The pilasters have simple rectangular bases and stylized
          lotus capitals. On the terra cotta tile lintels above each of the three second story window openings there are two
          symmetrically placed simple medallions with X shaped motifs. A similar element is used on the sign frieze. The
          second story windows are currently covered with boards. Historic photographs reveal that each of the three
          opening has a set of triple windows, and an upper muntin bars creates a transom above each window. A
          storefront update in the 1940s created straight display windows on angle from the three storefront doors, and also
          brought the windows down to floor level. The building reflects the commercial growth of the area in the early
          1920s. As it also continues to reflect is historic form and details, it would likely be deemed as a contributing
          feature to a potential historic district.

1.  1311-1313 S. HALSTED (Facade Retention at Original Location)

BUILT: 1913
TYPE: 2-story commercial; rear demolished with facade intact
MATERIALS: brick and terra cotta, "1311" in facade ornament
ARCHITECT: Henry L. Newhouse
FORMER USE: Sherman's General Store, Sherman Building, Wholesale House, dentist's offices, real estate offices
CURRENT USE: vacant

PHOTO NO.: 15, 16, 41

SIGNIFICANCE: intact historic facade

          This two story brick building was designed by Henry L. Newhouse for T. B. Fienberg in 1913. The building's
          facade is completely clad in horizontal metal siding. Photographs from the late 1930s reveal that the building's
          facade was clad with terra cotta, has applied belt courses above and below the second story windows. The
          current application of the siding reveals the existence the curved parapet, and two bands of siding project over
          what are likely to be existing terra cotta details on the facade underneath. As this provides evidence that there may
          be an intact historic facade underneath the siding, this building would likely be deemed as a contributing feature to
          a potential historic district.

Note: A 1997 fire in a neighboring building caused the removal of metal siding and exposed an intact terra cotta facade with the
year 1913 cast into the center.

2.  727 W. MAXWELL (Facade Retention at Original Location)

BUILT: 1890; Third story, 1912
TYPE: 3-story commercial/residential storefront
MATERIALS: brick and limestone details
ARCHITECT: J. T. Fortin, addition and brick facade
FORMER USE: A. Fogel Clothing, residence
CURRENT USE: vacant

PHOTO NO.: 31, 42, 44, 46

SUPPLEMENT D: C, E, F, G, J, K

SIGNIFICANCE: mixed-use type retains historic character of Maxwell Street

          This was originally a brick two flat building constructed by Mrs. Anna McNulty in 1890. In 1912, then owner, A.
          Brady, who also owned the building next door, added one story and a new brick facade to the building. The
          remaining original part of the 1890 building can still be seen at east facade. As in the construction of 725 W.
          Maxwell St., which was undertaken one year earlier, Brady hired architect J.T. Fortin to design the addition to
          this building. Composed of yellow brick with limestone details, the three story building has a flat roof, and flat
          parapet. A moulded cornice divides the second story from the parapet. At the soffit of the cornice there is a band
          of dentils. The second and third stories each have two window openings. One has a slightly convex triple window,
          and the other is a simple rectangular double hung window. Patterned brickwork forms a band that frames the
          second and third story triple windows, and the same treatment framing the two single windows. There is also a
          simple brick patterned rectangular frame element at the spandrel between the two stories of triple windows. Two
          solid rectangular light brick elements pierce the lower line of the brickwork frame, over the second story window.
          The second story triple window opening is intact, however, a double window replaces the original triple window.
          There is a moulded limestone belt course between the second story and the sign frieze. At the first story, there is a
          storefront and a side entry to the stairway that leads to the upper stories. This doorway is flanked by two square
          pilasters with carved limestone capitals. These pilasters are identical to those the Fortin designed for 725 W.
          Maxwell St., next door. The storefront has its historic configuration, with a recessed symmetrically placed
          vestibule. Its bulkhead, however, has been filled in with brick. In spite of this, the building has good integrity, and
          as it also relates to the area's social history, it would likely be deemed as a contributing feature to a historic
          district.

3.  729 W. MAXWELL (Facade Retention at Original Location)

BUILT: 1888; Remodeled storefront, 1950s
TYPE: 3-story commercial/residential storefront
MATERIALS: brick and Joliet limestone details
ARCHITECT: unknown
FORMER USE: Maxwell Music, Kelly's Sports Goods (Kelly Mages Store), bakery, "Ja Mar"?store name embedded in
terrazzo entranceway
CURRENT USE: vacant

PHOTO NO.: 31, 42, 46, 49

SUPPLEMENT D: C, G, F, E, K

SIGNIFICANCE: mixed-use type retains historic character of Maxwell Street; site of one of several storefronts operated by
Morrie Mages on Maxwell Street in his early career his three story brick building was constructed by V. Hulka as flats in 1888.
The vernacular building has a simple, but eclectic combination of Italianate and Queen Anne style elements. It has a low pitched
gable roof, and a pedimented parapet extending above the gable end. The second and third stories have Joliet limestone belt
courses above the sill and below the lintels of three rectangular window openings on both the second and the third stories. The
lintels are rectangular with rounded corners. They have center carved rosettes flanked by curly incised ornamentation. In
addition to the limestone details, the facade has texture created by horizontal and vertical projecting brickwork. This includes a
brick cornice with crown and soffit dentils. Extending beneath the cornice are four vertical elements. Two of these are outer
pier elements that enframe the facade including the storefront at the first story. The other two are decorative elements that
divide the three third story windows, extending only to the level of the second story lintels, where the brick courses step down
to T shape edging. Extending horizontally between these brick pier elements and beneath the sill of the center third story
window is a band of brickwork with rhythm created by brick header voids.

          The first story was probably converted to commercial use at the early part of this century. By the late 1930s, the
          building housed a bakery. During the 1950s the storefront was updated. It has asymmetrically configured display
          cases with recessed bulkheads composed of small black and gold mosaic tiles. As the building relates to the area's
          social history and conveys its historic form, character and details, it would likely be deemed as a contributing
          feature to a potential historic district.

Note: Morrie Mages, a successful commercial entrepreneur in Chicago, rented several storefronts on Maxwell Street
throughout his early career, prior to becoming a well-known success in the sporting goods business.

1.  1200-1208 S. HALSTED/801-803 W. ROOSEVELT RD. (Facade Removal / Relocation)

BUILT: 1916; Remodeled storefront, late 1940s or 1950s
TYPE: 2-story commercial block
MATERIALS: brick with stone and terra cotta details; black pigmented architectural glass
ARCHITECT: J. T. Fortin
FORMER USE: "Turner Brothers"?store name embedded in terrazzo entranceway, "Lichtenberg"?store name embedded in terrazzo entranceway, doctor's office(s)
CURRENT USE: Adam Josephs Men's Clothes

PHOTO NO.: 1, 5, 6, 8

SUPPLEMENT C: O

SIGNIFICANCE: type reflects historic business character of district (clothing store); second generation family business

Constructed for Dr. C. Lichtenberg in 1916, this corner brick building was designed as a two story store and office by architect J.T. Fortin. The building could be characterized as a "Two Part Commercial Block" structure with a flat roof (Longstreth 1987, 24). It has two primary facades: one on S. Halsted Street and one on W. Roosevelt Rd., with a corner entrance into the first floor store. It continues to house offices in the second story. Both facades of the red brick structure retain all of their white terra cotta details above the storefront level. In the center of the parapet walls of both primary facades, there is a rectangular terra cotta element that has the Lichtenberg name in applied letters. The building received storefront modifications in the late 1930s. Black pigmented architectural glass extending the sign frieze area across both facades still exists from this storefront alteration. The store has a small recessed vestibule space with a terrazzo floor bearing the name and logo of Turner Brothers which may date to the 1940s or early 1950s. The building has good integrity and would likely be deemed as a contributing feature to a potential historic district. Note: The family business started out on the 700 block of Maxwell Street and "moved-up" to Halsted St.

2.  1212 S. HALSTED (Facade Removal / Relocation)

BUILT: 1920 (rear); front facade rebuilt, 1928
TYPE: 3-story commercial storefront
MATERIALS: brick and terra cotta, metal grillwork, marble bulkhead, "1212"?street address embedded in terrazzo
entranceway
STYLE: Art Deco with classical ornament
ARCHITECT: Dubin & Eisenberg, rear addition; Joseph W. Cohen, 3-story front addition
FORMER USE: commercial
CURRENT USE: Alan's Clothing

PHOTO NO.: 7, 8, 9, 51

SIGNIFICANCE: Chicago Historic Resources Survey, Commission on Chicago Landmarks, 1983-92; second generation
family business

          This handsome Art Deco style facade was constructed in 1928 onto an existing building. In 1880, a frame
          structure was built on the site, and in 1912 a one story brick barn was built in the very back of the lot. In 1920,
          then owner Julius Rosenberg hired Dubin and Eisenberg to build a large addition at the rear of the original frame
          structure. In 1926, the front frame structure was demolished, and in 1928, Rosenberg commissioned architect
          Joseph W. Cohen to design new three story front extending 25 feet from the 1920 addition. The reason that
          Rosenberg hired Cohen instead of Dubin and Eisenberg is unknown, however, he may have been impressed with
          J.W. Cohen's Congregation Anshe Roumania synagogue, built southwest of the project area two years earlier.

          The front facade of this brick building is clad with cream colored terra cotta. A shallow parapet wall extends
          above the building's flat roof. The facade has classically inspired fluted pilasters, vertically dividing the second and
          third story windows, topped with abstract geometric square ornaments in lieu of capitals. The lintels and sills of all
          the second and third story windows have chevrons and other Deco motifs. There are three terra cotta floral
          medallions, each placed symmetrically on the spandrel between the second and third story windows.

          The building retains much of its original 1928 storefront, as well as evidence of minor changes dating to
          approximately 1940. It sited just south of an alley, and the 1928 front addition wrapped the facade around the
          northern corner to give the building a finished appearance. Many of the elements of the original 1928 storefront
          are intact on that northern corner of the facade. This includes remnants of the original green marble bulkhead, and
          original Art Deco style metal grillwork in the windows. Remnants of the 1928 storefront also include cream
          colored granite piers extending vertically from the outer section of the bulkheads, framing the display windows.
          These granite elements still exist at both the northern corner and the primary Halsted Street facade. It is evident
          that the Arcaded style storefront, including the geometrically configured display cases and recessions for interior
          case reflector lighting, also date to the 1928 storefront. Changes to the doorway and the display case area at the
          left side of the doorway to make the vestibule area appear asymmetrical are likely to have been made in the late
          1930s or early 1940s. At this date the porcelain enamel bulkhead and ceramic tile vestibule floor are likely to
          have also been added. The building's long history of additions and alterations are consistent with a broader
          context for the area. Additional research on the commercial history associated with structure could shed light on
          the reasons for the major alterations, particularly the 1928 facade addition. As the building continues to strongly
          convey its appearance from that period, it has good integrity and would likely be deemed as a contributing feature
          to a potential historic district.

Note: The family business started out on the 700 block of Maxwell Street and "moved-up" to Halsted St.

3.  1226-1228 S. HALSTED (Facade Removal / Relocation)

BUILT: ca. 1880; Front facade, ca. 1930, Remodelled storefront (1226), 1941
TYPE: 3-story commercial
MATERIALS: brick, stucco, Bedford limestone, cast iron storefront, ceramic tile, marble bulkheads, frosted glass,
"1228"?street address embedded in terrazzo entranceway
ARCHITECT: unknown
FORMER USE: "Maremont"?store name embedded in terrazzo entranceway
CURRENT USE: Paul's Men's Wear, Stacey Adams Shoes

PHOTO NO.: 7, 8, 10, 51

SIGNIFICANCE: retains original Bedford limstone and cast iron storefront components from original construction, and Art
Deco details influences from 1940s alterations; second generation family business

While only minimal information about this building was revealed through archival documentation field analysis indicates that it is
a structure that went through a transformation similar to 1222 S. Halsted St., next door. Remnants of Bedford limestone and
remaining cast iron storefront details reveal that this building was originally constructed in the 1880s. In the 1910s, its existing
three story brick facade was constructed with a center entry door to the stairway leading to residential section of the building.
The building has a flat roof, and historically had a cornice which no longer exists. The storefronts were converted to a double
Arcaded Front in the 1920s or early 1930s. Today 1228 S. Halsted St. retains its historic 1920s or 30s Arcaded storefront. It
retains much of its historic fabric, including the rough stucco vaulted ceiling, symmetrically placed deep vestibule with
geometrically configured display windows, and ceramic tile vestibule floor. Many of the joints of the display windows are still
exposed glass without mullions. The bulkheads are green marble. Within the display cases there are recessions for interior case
reflector lighting. There are also some remnants of frosted glass with Art Deco motifs. The 1226 S. Halsted Street storefront
was altered again in 1941. Its open streamlined design reflects the transition of storefront design into the Open Faced Front
style. The terrazzo vestibule floor has the name of the store in this location when the 1941 storefront alteration was made,
Maremont, and a simple linear arrow. If the storefront updates are considered as significant alterations, the building has good
integrity and would likely be deemed as a contributing feature to a potential historic district.

Note: The family business started out on the 700 block of Maxwell Street and "moved-up" to Halsted St.

4.  1235 S. HALSTED (Facade Removal / Relocation)

BUILT: 1876; Remodeled storefront, 1931
TYPE: 4-story commercial
MATERIALS: brick and limestone, terrazzo
ARCHITECT: unknown
FORMER USE: "Liberty Style Shop," store name embedded in terrazzo entranceway, Swarm Brothers General Merchandise
CURRENT USE: Jesse's

PHOTO NO.: 11, 40

SIGNIFICANCE: earliest masonry type on Halsted Street within the district

          This four story brick building was constructed by David Hummell in 1876. It is an Italianate style structure which
          has a flat roof, but is missing its original cornice. Each of the three upper stories is divided by a limestone belt
          course. The second story windows have rectangular ornate limestone crowns with keystones and incised details.
          These crowns rest on simple square capitals on projecting brick piers, framing the windows. The piers rest on a
          secondary brick belt course that runs horizontally above the heavier limestone belt course, under which several
          bands of receding brick courses extend. The third story windows are divided by four pilasters, which form three
          rounded arches at the fourth story. The third story windows are not framed as those of the second story are,
          however, they have pedimented limestone crowns. The pilasters have engaged square brick bases, smooth
          projecting rectangular brick shafts, and square brick and limestone capitals. Symmetrically placed within each of
          the four rounded arches is a square window. An Arcaded storefront was added in 1931. It has a geometric
          zig-zag configuration, of clean planes without mullions.The building conveys its historic appearance, and has good
          integrity. It is likely that it would be deemed as a contributing feature to a potential historic district.

5.  1245 S. HALSTED/735-741 W. O'BRIEN STREET (Facade Removal / Relocation)

BUILT: 1922; Remodeled storefront, 1938
TYPE: 3-story commercial/residential
MATERIALS: brick and limestone, pigmented architectural glass
ARCHITECT: Levy & Klein
FORMER USE: Max Hoffman store and flats
CURRENT USE: Sandy's Clothing, Carlo's Tailor Shop, upper story residences

PHOTO NO.: 13, 16, 41

SIGNIFICANCE: type reflects historic business character of district (clothing store); extant mixed-use building type on Halsted
Street; second generation business ownership

          This three story brick building was constructed by Max Hoffman as store and flats in 1922. Designed by Levy
          and Klein, the handsome Tudor Revival style building has limestone details that contrast against the chocolate
          brown brick. The building is located on the corner of S. Halsted St. and O'Brien St., and has a primary facade on
          both streets. The second and third story window bays are divided by limestone quoins which extend from
          horizontal limestone belt courses beneath the second story windows and above the third story windows. The bays
          have groupings of three windows each. In the spandrels between the second and third story windows, there are
          limestone elements that follow the vertical pattern of the mullions. In the outer square brick panels formed by these
          vertical elements are square limestone elements with strapwork ornamentation. Extending above the belt course
          that separates the fourth story from the parapet, additional limestone elements follow the vertical pattern
          established by the quoins. These culminate in paired pinnacle-like engaged finials on the parapet. Between the
          each pair of these vertical elements are three symmetrically placed small square limestone elements. The doors
          leading to the stairways to the residential levels of the building are framed in limestone, and have carved shield and
          foliage ornamentation. In 1938, the existing storefront was added to the first floor. It has a deeply recessed
          vestibule and a symmetrically placed double door entryway. The storefront display windows have a geometric
          zig-zag configuration that curves at the threshold of the vestibule. The display windows have narrow bulkheads of
          pigmented architectural glass. The vestibule floor has a multi-colored pattern of inverted Vs. The building has
          good integrity and would likely be deemed as a contributing feature to a potential historic district.

6.  1247-1249 S. HALSTED (Facade Removal / Relocation)

BUILT: 1929
TYPE: 2-story commercial
MATERIALS: polychrome terra cotta and terrazzo
ARCHITECT: Dubin and Eisenberg
FORMER USE: Edelman Brothers
CURRENT USE: Jerry's (clothing)

PHOTO NO.: 13, 16, 41

SUPPLEMENT A: A1, A2

SIGNIFICANCE: Chicago Historic Resources Survey, Commission on Chicago Landmarks, 1983-92

          This two story Art Deco style store and loft building was designed by Dubin and Eisenberg and constructed by
          the Edelman Brothers in 1929. It is a brick structure with a flat roof, and its primary facade is entirely clad with
          beige terra cotta, and green terra cotta trim. It is an excellent high style example of Art Deco, during the period in
          which it was reaching popularity, just before the Great Depression. Unlike the more traditional commercial
          buildings of the area, its stories and window groupings are not divided by band courses, pilasters, panels or
          quoins. The second story has a long horizontal center window flanked by two rectangular windows, and the
          building has an arched opening at the first story with an arcaded storefront. The building's face is a clean plane
          with applied ornamentation. It has a cornice and lintel over the long center second story window providing two
          prominent sculptural bands of terra cotta. Both of these horizontal elements have combined stylized geometric
          chevron forms with foliated tendril motifs. The storefront is a classic example of the Arcaded type that was
          popularized during the 1920s. It has a deeply recessed vestibule a symmetrically placed double entry with vaulted
          ceilings. The display windows have a geometric zig-zag configuration and a hexagonal center island window.
          Beneath the display windows are molded green terra cotta bulkheads. The flooring is terrazzo with tri-colored
          geometric motifs. Within the interiors of the display windows there are recessions for interior case reflector
          lighting, and ornamental plaster cove molding with Art Deco detailing. The building retains very strong integrity and
          would likely be deemed as a contributing feature to a potential historic district.

7.  1302 S. HALSTED (Facade Removal / Relocation)

BUILT: ca. 1890; Front facade, 1919; Remodeled storefront, 1933
TYPE: 3-story commercial
MATERIALS: brick and limestone details, terrazzo
ARCHITECT: J. L. Stern (1919)
FORMER USE: "Chatsman-In"?(incomplete) store name embedded in terrazzo entranceway
CURRENT USE: MJ Sports, Manny's Tailor

PHOTO NO.: 17, 51

SIGNIFICANCE: building type retains historic character of commercial street

          This three story brick building was originally an 1890s two story structure. In 1919, the owners, Stressan and
          Becker hired architect J. L. Stern to build an additional story and new facade. The simple yellow brick
          commercial building drew inspiration from the Classical Revival style. The second and third story windows are
          divided into a center larger window flanked by two narrow rectangular windows. Two vertical panels capped by
          simple bracket forms extend from the bottom of the second story to the top of the third story, acting as divisions
          to the windows. The building's roof is flat, and facade has a parapet that steps up at the center. At the top center
          area of the parapet, there is a limestone relieve shield ornament. At the top of the outer lower part of the parapet
          wall there is a classical urn finial at each end. The building's storefront was updated in 1933 with a recessed
          vestibule that has a symmetrically placed doorway. The ceramic vestibule entry floor remains, but the bulkheads
          and windows have been altered. As the building conveys its historic form, character and details, it would likely be
          deemed as a contributing feature to a historic district.

8.  717 W. MAXWELL (Facade Removal / Relocation)

BUILT: 1883; Third story and rear addition, 1909
TYPE: 3-story residential storefront with rear building
MATERIALS: brick with limestone details
ARCHITECT: David Klafter (1909 alterations and addition)
FORMER USE: Maxwell Street Meat Market, Frank's Lamp Shop, fish market

("F & W" [Farber & Wittenberg] inscribed in stone at peak of parapet)
residence

CURRENT USE: vacant

PHOTO NO.: 35, 36, 37, 42, 43, 46, 49

SUPPLEMENT C: P

SUPPLEMENT D: C, D, G, K, L

SIGNIFICANCE: mixed-use type and double building occupancy on single lot retains historic character of Maxwell Street; a
well-crafted masonry facade

          Originally constructed as a two story brick dwelling in 1883, this building was altered in 1909 when it was
          converted to a three story factory and storage. At that time it was owned by William H. Farber and Hyman
          Wittenberg. They hired architect David S. Klafter to design the addition and alterations. The result was an eclectic
          but well crafted W. Maxwell Street facade. The three story brick facade has a pedimented parapet with a
          limestone shield shaped element that has the F & W, Farber and Wittenberg initials.

          On the west side of the facade there is a set of pilasters that extend from the sign frieze to the lintel level of the
          third story. The pilasters frame a triple window at the third story. There is also a single rectangular window on the
          east side of the facade. That window opening is now filled in with brick. Both the single rectangular window
          opening and triple window opening on the second story are also now filled in with brick. Above the third story
          window openings, at what would be the lintel line, there is a limestone belt course with moulded coping. Above
          this is a frieze of patterned brickwork. Above this is a pediment with limestone coping over the bay framed by the
          pilasters. At the flat east side of the facade, the limestone coping of the pediment extends to a belt course
          separating the frieze above the third story from the parapet above it. The pilasters are square with simple
          limestone bases and capitals, on and below the capitals there are carved limestone foliage ornaments. Within the
          spandrels between the second and third stories there are two patterned elements of small squares limestone and
          brick. This detail forms a square between the single windows, and a rectangle between the triple windows. There
          is a thin limestone belt course beneath the second story windows, and a band of similar limestone squares beneath
          this, extending horizontally across the sign frieze area. The building may not have historically had a storefront. The
          existing storefront appears to be a more recent modification. In spite of this change and the in fill brick in the
          window openings, the building has good integrity and would likely be deemed as a contributing feature to a
          potential historic district.

9.  723-725 W. ROOSEVELT (Facade Removal / Relocation)

BUILT: 1923; Second story, 1925
TYPE: 2-story commercial
MATERIALS: brick, terra cotta ornamentation, cast iron balconettes
STYLE: Classical with Spanish Revival details
ARCHITECT: Dubin and Eisenberg
FORMER USE: Pollack & Son Men's Clothes, Harry Goodman's Coffee Shop, 2nd floor
CURRENT USE: vacant

PHOTO NO.: 1, 2, 3, 4

SUPPLEMENT C: O

SIGNIFICANCE: Chicago Historic Resources Survey, Commission on Chicago Landmarks, 1983-92

          This two story brick building was originally a one story coffee shop designed by Dubin and Eisenberg for M.
          Goodman and constructed in 1923. Two years later, M. Goodman hired Dubin and Eisenberg to enlarge the
          building into a two story brick commercial building. That project probably included the construction of the existing
          facade. The building is an example of the Baroque Revival style more commonly used in the design of palace
          movie theaters which had achieved popularity at the time.

          The brick building has a flat roof, and its facade is enlivened by cream colored terra cotta details. The most ornate
          part of the building is a fanciful symmetrically placed applied terra cotta surround that extends from the center
          doorway beyond the second story and projects several feet above the parapet. This surround element has an
          ogee arch above the door's rounded lintel, another ogee arch over a single arched second story balcony window,
          and the parapet element is square flanked by twisted pilasters, and topped by a pointed finial. The entire three
          story terra cotta element is covered with applied ornamentation including swags, garlands, and wreath and other
          floral motifs. One of the most interesting elements of the terra cotta surround element is a pair of cherub-like
          figures used as brackets or supports to the doorway's arched lintel.

          The second story of the building has two sets of triple arched balconette windows. These have cream colored
          terra cotta surrounds, and metal grillwork faux balconies. A terra cotta belt course separates the second story
          from the parapet. On the parapet wall, flanking the terra cotta surround element is a pair of oval ornaments with a
          ruffled edge treatment. There are twisted pilasters flanking the outer edges of the parapet wall. These are topped
          with pointed finials. Beneath these pilasters are square projections from the belt course, and beneath this is
          another set of pilasters. These pilasters are square and extend down to the level of the floors of the balconettes,
          where they rest on squared bases. These bases extend down to a belt course at the sign frieze line of the building
          and beneath this is a set of the cherub-like figures identical to those applied to the entrance door surround. The
          storefront has been altered, however, the building retains good integrity and would likely be deemed as a
          contributing feature to a potential historic district.

10.  729 W. ROOSEVELT (Facade Removal / Relocation)

BUILT: 1917; storefront
TYPE: 3-story commercial
MATERIALS: brick with terra cotta details
ARCHITECT: Alexander L. Levy
FORMER USE: Auto Supply, restaurant
CURRENT USE: vacant
PHOTO NO.: 1, 2

SUPPLEMENT C: O

SIGNIFICANCE: reflects use of early Sullivanesque stock terra cotta ornament

          This three story brick building was designed by Alexander L. Levy for B. Hirschfinkle and constructed in 1917.
          Constructed one year after the building at 707-09 W. Roosevelt Rd. and designed by the same architect, this
          owner may have wanted a that would be similar to, but more ornate than the structure located a few lots to its
          east. This three story red-brown brick building also has a flat roof and parapet trimmed with white terra cotta.
          This building, however, has an ornate Sullivanesque cluster focus-piece symmetrically applied to and projecting
          slightly above the flat parapet. On the parapet wall, beneath and flanking the focus-piece, there are two rows of
          six small square ornaments. Flanking these small ornaments at the outer corners of the parapet wall are a pair of
          larger square ornaments, each with an interior squared floral ornament. These Sullivanesque stock details were
          made by the Midland Terra Cotta Company. This is a fairly early use of this type of ornamentation, which became
          most popular in 1922 or 1923 (Garner 1991, 162-182). There are some additional simple terra cotta details
          including frames around the second and third story windows, and rectangular panels in the spandrels between the
          windows of those upper stories. There is also a terra cotta trim frame around the storefront. The storefront itself
          has been recently altered. In spite of this, the building conveys its historic form, character and most of its details,
          and would likely be deemed as a contributing feature to a potential historic district.


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Contact Us

TO REACH US VIA EMAIL:

Chuck Cowdery, President (cowdery@21stcentury.net)
Steve Balkin, Vice President (mar@openair.org)
TO REACH US VIA THE USPS:

Maxwell Street Historic Preservation Coalition
P.O. Box 6435
Evanston, IL  60204